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The IIB Bass Courses


The Complete Method - Holiday Special


The IIB Bass Courses
The International Institute of Bassists (IIB) is an online resource dedicated to the advancement of contemporary bass performance and the study of the bass tradition. Since its founding in 1997, the IIB has established a long-time presence on the internet and grown into one of the largest and most popular bass-related web sites found online. Today, the IIB is recognized as one of the leading online publications for bass players and the promotion of all things bass. The IIB keeps both electric and acoustic upright bassists of all levels of playing experience, from novice to professionals alike, returning every day for the latest updates and information in the bass community.

If you live in a remote area and are unable to attend one-on-one lessons with a private instructor on a regular basis or you maintain a hectic schedule due to work or family commitments, the courses offered at the IIB will take your knowledge to the next level and stimulate your pursuit of playing the bass with greater depth and new insight. By studying bass through the IIB, you can learn at your own pace, on your own time, in the comfort of your own home, at a cost that is much cheaper than the price of most one-on-one private bass lessons from a local instructor, and you can easily archive the lesson material for future reference.

The IIB offers 5 bass courses covering several areas of traditional and contemporary bass playing including technique, theory, sight reading, bass line construction, and soloing. These courses will enhance your understanding of the techniques and theories that are crucial to your success as an independent musician and will also increase your performance opportunities.

Since launching Jazz Bass Lines, the IIB's first bass course in 2009, one of the most frequently asked questions sent by students has been regarding the possibility of making the courses available on DVD. Now, you can purchase all of the bass courses on DVD including Contemporary Techniques, Music Theory For Bass, Sight Reading For Bass, Jazz Bass Lines, and Soloing Techniques. There are a number of advantages to receiving the courses on DVD. First, you don't have to wait 3 months to obtain all of the course material as it was normally distributed over 12 weekly lessons. Second, you don't have to spend time downloading over 400 individual files which exist in some of the courses. Lastly and most importantly, on a DVD all of the course material has already been neatly organized for you to study and review. THIS HOLIDAY SPECIAL DVD RATE ENDS DECEMBER 31.




Contemporary Techniques
The Basics And Beyond For Bass Guitar


The IIB Online Bass Courses - Contemporary Techniques For Bass Guitar
Contemporary Techniques is the definitive guide to technique for bass guitar. Regardless of your current playing level, prior experience, or the genres of music you prefer to play, this comprehensive course will solidify the foundation required to become a proficient bassist and save you countless hours of frustration by learning how to do it right the first time. Featuring curriculum designed to increase your accuracy, speed, and endurance along with transcriptions of classic to modern tracks from the bass repertoire, the techniques demonstrated throughout this course can be applied to any fretted or fretless bass guitar. Following a step-by-step analysis of fundamental technique considerations, the course begins by examining the most essential principles involved in playing bass guitar including economy of motion, posture, strap length, tone production, hand position, alternating fingers, the floating thumb, one-finger-per-fret, finger placement, finger pressure, supportive fingering, string crossing, string skipping, shifting, and articulations before proceeding to more advanced concepts such as slapping, plucking, and two-handed tapping techniques. Subsequent lessons in this 12-week course introduce the practical study and application of contemporary performance techniques which go beyond the traditional role of the bass guitar by exploring new sonorities through chords, harmonics, and altered tunings. By the completion of this course, you will have developed the proper mechanics, finger independence, dexterity, and range of motion required to execute bass lines and solos in any style of music. Whether you are a beginner with no formal training, a self-taught bassist who is seeking to resolve bad habits that have inadvertently formed over the years, or a seasoned professional looking to add new vocabulary to your playing, Contemporary Techniques will equip you with all the tools you need to perform in any musical environment and provide you with an indispensable archive of techniques that you can continue to review for years to come.

Topics Discussed In Contemporary Techniques Include:
- A Guide To Practicing
- Ear Training
- Notes On The Bass
- Economy Of Motion
- Posture
- Standing Vs. Sitting
- Strap Length
- Tone Production
- The Picking/Plucking Hand
- The Fretting Hand
- 2 & 3-Finger Alternating Technique
- Playing With A Pick
- Right & Left Finger, Wrist & Forearm Angles/Positions
- Floating Thumb Vs. Anchored Thumb
- Rest Stroke
- Right & Left Hand Muting
- One-Finger-Per-Fret
- Position Playing
- Finger Placement/Spacing
- Finger Pressure
- Supportive Fingering
- Barring
- Open Strings Vs. Fretted Notes
- Warm-Up Exercises
- Permutations
- Right & Left Hand Independence
- Finger Isolation & Dexterity Exercises
- String Crossing
- String Skipping
- Shifting
- Timing
- Dynamics
- Hammer-Ons
- Pull-Offs
- Trills
- Slurs
- Vibrato
- Ghost Notes
- String Bending
- Staccato/Legato
- Raking
- Strumming
- Palm Muting
- Scales
- Arpeggios
- Rock, Blues, Jazz, Motown, Funk, Latin & Classical Bass Lines
- Slapping (Bouncing & Slap-Through)
- Double Slapping
- Fretting Hand Slapping
- Plucking
- Double Plucking
- Two-Handed Tapping
- Chordal Playing
- Natural & Artificial Harmonics
- Altered Tunings
- Solo Bass Guitar
- Essential Listening Discographies
- Transcriptions In Standard Music Notation & Tablature
- Play-Along Tracks

By The Conclusion Of This Course, You Will Have Been Presented With The Tools To:
- Structure Effective Practice Sessions
- Locate All Of The Notes On The Bass
- Play Intervals, Triads, Seventh Chords, Tensions & Scales Across The Entire Range Of The Fingerboard
- Increase Your Technical Mastery Of The Bass
- Expand Your Fretboard Familiarity
- Play Your Instrument With Proper Tone, Feel & Economy Of Motion
- Extend Your Performance Endurance
- Execute Any Passage Presented To You Without Limitations Due To Technique
- Interact With Other Musicians On A Deeper Level Through The Language Of Improvisation
- Sound More Musical While Playing Through Phrasing, Dynamics & Articulations
- Assimilate Advanced Slapping & Tapping Into Your Performances
- Employ Chords, Harmonics & Altered Tunings In Your Playing
- Understand Concepts For Unaccompanied Bass Guitar
- Perform Bass Lines & Solos In The Styles Of Michael Manring, Brian Bromberg, Marcus Miller, Stuart Hamm, Alain Caron, Victor Wooten, John Patitucci, Gary Willis, Jaco Pastorius & Rocco Prestia
- Transcribe Bass Lines & Solos




Music Theory For Bass
Essential Concepts For Bass Guitar & Acoustic Bass


The IIB Online Bass Courses - Music Theory For Bass
Music Theory For Bass is a beginner to intermediate level course that examines the essential elements of music. For beginners, this course will provide an introduction to the theory and practice of harmony as it pertains to bassists in contemporary music. More seasoned bassists will gain insight from this course as concepts already obtained from past musical experiences will be reinforced to expand the depth of their musical awareness. As you increase your understanding of music theory, you will be able to communicate more effectively with other musicians through the language of music. You will also become more efficient and productive in your own practice sessions. Utilizing a step-by-step approach, this course starts by outlining the fundamental building blocks of music including pitch and rhythm. In subsequent weeks, you will learn how to read and write standard music notation as well as how to decipher key signatures, time signatures, chord symbols, chord progressions, and song forms. You will also learn to play intervals, triads, seventh chords, and scales in every key across the entire range of the fingerboard. Other topics we will discuss include articulations, passing notes, approach notes, neighbor notes, tensions, cells, sequences, and ear training. Accompanying each weekly lesson will be self-assessment quizzes to evaluate your progress and strengthen the principles which are required to establish a solid musical foundation. By the end of this 12-week course, you will have acquired the tools necessary to read, write, and improvise bass lines and solos over any chord change, chord progression, or song form in any style of music.

Topics Discussed In Music Theory For Bass Include:
- A Guide To Practicing
- Ear Training
- Notes On The Bass & Staff
- Pitch
- Note & Rhythmic Recognition
- Rhythm Studies
- Note & Rest Values (Whole, Half, Quarter, Eighth, Eighth-Note Triplet & Sixteenth)
- Dots & Ties
- Notation Guidelines/Placement
- Beams & Stems
- Ledger Lines
- Bar Lines
- Bass Notation
- Articulation Markings
- Dynamics
- Key Signatures
- Accidentals
- Enharmonic Equivalents
- The Circle Of Fifths
- Relative & Parallel Minor Keys
- Pulse & Meter
- Simple & Compound Meters
- Time Signatures
- Whole Steps & Half Steps
- Simple & Compound Intervals
- Major, Minor, Diminished & Augmented Triads
- Seventh Chords
- Tensions/Extended Chords
- Inversions
- Scale Degrees
- The Modes Of The Major Scale
- The Modes Of The Melodic Minor Scale
- The Modes Of The Harmonic Minor Scale
- Major & Minor Pentatonic Scales
- The Blues Scale
- Whole-Step/Half-Step & Half-Step/Whole-Step Diminished Scales
- The Whole Tone Scale
- The Chromatic Scale
- The Augmented Scale
- A Guide To Scales
- Scalar Exercises
- Connecting Changes With Triads, Chord Tones & Scales
- Triad, Chordal & Scale Cells
- Triad, Chordal & Scalar Sequences
- The 12-Bar Blues, 32-Bar A-A-B-A & Other Basic Song Forms
- Common Chord Progressions, Chord Substitutions & Turnarounds
- Key Centers
- Chord Tones, Scale Tones & Non-Diatonic Notes
- Target Notes
- Passing Notes
- Approach Notes
- Neighbor Notes
- Voice Leading
- Transposition
- Timing
- Harmonics
- Memorizing Lead Sheets/Chord Charts
- A Guide To Chord Symbols
- Transcriptions In Standard Music Notation & Tablature
- Essential Listening Discographies
- Over 100 Play-Along Tracks

By The Conclusion Of This Course, You Will Have Been Presented With The Tools To:
- Structure Effective Practice Sessions
- Locate All Of The Notes On The Bass & The Staff
- Read & Write Standard Music Notation
- Play Intervals, Triads, Seventh Chords, Tensions & Scales Across The Entire Range Of The Fingerboard
- Increase Your Technical & Theoretical Mastery Of The Bass
- Expand Your Fretboard Familiarity
- Understand Basic Chord/Scale, Classical & Jazz Theory
- Identify Intervals, Triads, Seventh Chords, Tensions & Scales By Ear
- Construct Bass Lines Using Chord Tones, Scale Tones & Non-Diatonic Notes
- Integrate Rhythmic Diversity Into Your Playing
- Improvise Bass Lines & Solos In Different Styles Of Music
- Recognize Chord Symbols & Common Chord Progressions
- Navigate Lead Sheets/Chord Charts
- Transpose A 12-Bar Blues To Every Key
- Play Your Instrument With Proper Tone & Feel
- Extend Your Performance Endurance
- Interact With Other Musicians On A Deeper Level Through The Language Of Improvisation
- Transcribe Bass Lines, Solos & Melodies




Sight Reading For Bass Guitar & Acoustic Bass


The IIB Online Bass Courses - Sight Reading For Bass
Sight Reading For Bass is a beginner to intermediate level course that explores all aspects of reading and writing music notation for bassists. The ability to not only read but also write music notation is essential for any bass player who prepares music to be performed by other musicians. Following a clear analytical approach that begins by connecting the notes on the fingerboard to the notes on the staff, you will be presented with the standard guidelines of music notation, common note and rest values, articulation markings, intervals, triads, chords, and scales before moving onto more advanced rhythm studies. You will learn how to decipher key signatures, time signatures, and chord symbols as well as navigate lead sheets and chord charts. Utilizing a collection of complete transcriptions featuring classic and contemporary bass lines in rock, blues, jazz, motown, funk, latin, and classical styles, you will become a proficient reader of standard notation through real musical application. Alternate versions of selected exercises also include tablature to help verify your work and track your progress. From learning to recognize basic notes and elemental rhythms to understanding sophisticated signs, symbols, and terms, this course will help establish the foundation you need to more effectively communicate with other musicians in all your future musical endeavors. Whether your principle goal is to become a professional session bassist, a member of a college jazz ensemble, bass chair of a symphony orchestra, perform in a school musical, play in church, jam with some friends in your garage, or to simply increase the productivity of your practice sessions, improving your sight reading ability will only expand your opportunities as a working bassist. Musicians of all playing levels who are required to read or notate music in bass clef will benefit from this comprehensive course.

Topics Discussed In Sight Reading For Bass Include:
- A Guide To Practicing
- Ear Training
- Notes On The Bass & Staff
- Bass Clef
- Treble Clef
- Pitch
- Note & Rhythmic Recognition
- Rhythm Studies
- Note & Rest Values (Whole, Half, Quarter, Eighth, Eighth-Note Triplet & Sixteenth)
- Dots & Ties
- Notation Guidelines/Placement
- Beams & Stems
- Ledger Lines
- Bar Lines
- Bass Notation (Hammer-Ons, Pull-Offs, Ghost Notes, Slides, Grace Notes, Slap, Pop, Tap, Harmonics, Bowing)
- Articulation Markings (Vibrato, Staccato, Legato, Accent, Marcato, Tenuto, Crescendo, Decrescendo)
- Tempo Markings
- Common Signs, Symbols & Terms
- Dynamics
- Key Signatures
- Accidentals
- Enharmonic Equivalents
- The Circle Of Fifths
- Major & Minor Keys
- Relative & Parallel Minor Keys
- Pulse & Meter
- Simple & Compound Meters
- Time Signatures
- Whole Steps & Half Steps
- Intervals
- Triads
- Chords
- Scales
- Key Centers
- Shifting
- Transposition
- Lead Sheets & Chord Charts
- A Guide To Chord Symbols
- Phrasing
- Rock, Blues, Jazz, Motown, Funk, Latin & Classical Styles
- Transcriptions In Standard Music Notation & Tablature
- Play-Along Tracks

By The Conclusion Of This Course, You Will Have Been Presented With The Tools To:
- Structure Effective Practice Sessions
- Locate All Of The Notes On The Bass & The Staff
- Read & Write Standard Music Notation In Every Key
- Increase Your Technical & Theoretical Mastery Of The Bass
- Expand Your Fretboard Familiarity
- Understand Basic Chord/Scale, Classical & Jazz Theory
- Recognize Chord Symbols & Common Chord Progressions
- Navigate & Write Lead Sheets & Chord Charts
- Play Through A Chart With Proper Tone & Feel
- Extend Your Performance Endurance
- Count/Subdivide & Feel Complex Rhythms
- Write Music In Accordance Of Contemporary Notation Practice
- Interact With Other Musicians On A Deeper Level Through The Language Of Notation
- Sound Musical While Reading Through Phrasing, Dynamics & Articulations
- Transcribe Bass Lines, Solos & Melodies




Jazz Bass Lines
Contemporary Concepts For Bass Guitar & Acoustic Bass


The IIB Online Bass Courses - Jazz Bass Lines
Jazz Bass Lines is a beginner to intermediate level course that examines all of the fundamental components of walking bass line construction. During this comprehensive 12-week course, you will study the techniques and bass lines of the most prominent jazz bassists. Following a systematic and guided approach of analysis, Jazz Bass Lines reviews the key elements of walking bass line creation. This course begins by concentrating on the basic building blocks of bass parts including intervals, triads, seventh chords, and scales. As the course progresses, you will be introduced to concepts such as walking bass line cells, rhythmic embellishments, the two feel, and the utilization of those components in practical application. With an emphasis placed on the 12-bar blues song form, students will analyze sample bass lines and transcriptions of classic walking bass lines to assist in learning the proper integration of technique, sound, and feel. By the end of this course, not only will you possess a deeper awareness of what makes a walking bass line great but you will also have expanded your fretboard familiarity, developed an incredible set of skills that will provide you with a greater understanding of how the bass functions within a band, and feel more confident in your ability to improvise effectively over jazz standards. From the basics of traditional walking bass line construction to more advanced contemporary principles, Jazz Bass Lines is designed to establish the crucial foundation and indispensable vocabulary that is necessary for bassists interested in the art of improvising bass lines. This course is a must for anyone passionate about becoming a proficient bass player and serious about furthering their knowledge of improvisation.

Topics Discussed In Jazz Bass Lines Include:
- A Guide To Practicing
- Ear Training
- Notes On The Bass
- Intervals
- Triads
- Seventh Chords
- Tensions
- The Modes Of The Major Scale
- The Modes Of The Melodic Minor Scale
- Major Pentatonic & Minor Pentatonic Scales
- The Blues Scale
- Whole-Step/Half-Step & Half-Step/Whole-Step Diminished Scales
- The Whole Tone Scale
- The Chromatic Scale
- A Guide To Scales
- The 12-Bar Blues, 32-Bar A-A-B-A & Other Basic Song Forms
- Modal Tunes
- Rhythm Changes
- The Two Feel
- Common Chord Progressions, Chord Substitutions & Turnarounds
- Chord Tones, Scale Tones & Non-Diatonic Notes
- Triad Cells
- Chordal Cells
- 3, 4 & 5-Note Scale Cells/Fragments
- Sequences
- Melodic Bass Lines/Phrasing
- Rhythmic Embellishments Including Eighth-Note Triplets, Skips, Ghost Skips, Syncopated Rhythms, Hammer-On Skips, Pull-Off Skips & Slurred Skips
- Target Notes
- Passing Notes
- Approach Notes
- Neighbor Notes
- Octave Displacement/Compound Intervals
- Delayed Resolution
- Ostinato Figures
- Pedal Tones
- Repetition
- Harmonics
- Connecting Changes With Roots, Fifths, Octaves, Triads, Chord Tones & Scales
- Transposition
- Voice Leading
- Strong Beat/Weak Beat
- Sound Production
- Timing
- Dynamics
- Memorizing Lead Sheets/Chord Charts
- A Guide To Chord Symbols
- Ballads, Medium Tempos & Fast Tempos
- Transcriptions Featuring Bass Lines Recorded By Ray Brown, Ron Carter, Paul Chambers & Sam Jones In Standard Music Notation & Tablature
- Essential Listening Discography
- Building A Repertoire Of Jazz Standards
- Over 100 Play-Along Tracks

By The Conclusion Of This Course, You Will Have Been Presented With The Tools To:
- Structure Effective Practice Sessions
- Locate All Of The Notes On The Bass
- Play Intervals, Triads, Seventh Chords, Tensions & Scales Across The Entire Range Of The Fingerboard
- Increase Your Technical Mastery Of The Bass
- Expand Your Fretboard Familiarity
- Understand Basic Chord/Scale & Jazz Theory
- Identify Intervals, Triads, Seventh Chords, Tensions & Scales By Ear
- Construct Walking Bass Lines Using Chord Tones, Scale Tones & Non-Diatonic Notes
- Integrate Rhythmic Diversity Into Your Bass Lines
- Improvise Walking Bass Lines In The Styles Of Ray Brown, Ron Carter & Paul Chambers
- Recognize Chord Symbols & Common Chord Progressions
- Navigate Lead Sheets/Chord Charts
- Transpose A 12-Bar Blues To Every Key
- Play Jazz Standards With Proper Tone & Feel
- Extend Your Performance Endurance
- Interact With Other Musicians On A Deeper Level Through The Language Of Improvisation
- Transcribe Bass Lines




Soloing Techniques For Bass Guitar & Acoustic Bass


The IIB Online Bass Courses - Soloing Techniques
Ever since the introduction of the bass guitar and acoustic upright bass, a bassist's primary role has been to provide a supportive function as an accompanist within the setting of a rhythm section. Today, as a well-rounded bass player, you are also expected to produce lyrical solos with proficiency. Soloing Techniques is an intermediate to advanced level course that explores all of the fundamental elements required to improvise effective solos. Featuring classic bebop to modern era techniques, you will be presented with a wide array of improvisation concepts and learn how to create your own horn-like solos in the jazz idiom. Following a step-by-step analysis, this course begins by examining basic theoretical principles including the construction of intervals, triads, seventh chords, tensions, and scales. Over the span of 12 weeks, you will be introduced to various techniques and concepts such as passing notes, approach notes, neighbor notes, cells, sequences, voice leading, superimposition, phrasing, melodic interpretation, thematic development, and the assimilation of those components through practical application. Soloing Techniques will expose you to a collection of proven strategies which will help you implement these techniques in a musical fashion. Utilizing a compilation of popular standards from the jazz repertoire and an archive of signature solos recorded by some of the most innovative instrumentalists in the history of jazz music, you will learn to connect your ears to the fingerboard, develop ideas, and expand the traditional role of the bassist through the vocabulary of the jazz language. Transcriptions of legendary solos and dozens of play-alongs will be employed to establish a database of documented statements and demonstrate the proper integration of phrasing considerations. Soloing Techniques is recommended for both aspiring and professional bassists alike who are seeking an indispensable resource for the contemporary study and analysis of soloing concepts on bass guitar and acoustic upright bass.

Topics Discussed In Soloing Techniques Include:
- A Guide To Practicing
- Ear Training
- Notes On The Bass
- Intervals
- Triads
- Seventh Chords
- Tensions
- The Modes Of The Major Scale
- The Modes Of The Melodic Minor Scale
- Major, Minor & Other Pentatonic Scales
- The Blues Scale
- Whole-Step/Half-Step & Half-Step/Whole-Step Diminished Scales
- The Whole Tone Scale
- The Chromatic Scale
- A Guide To Scales
- The 12-Bar Blues, 32-Bar A-A-B-A & Other Basic Song Forms
- Modal Tunes
- Rhythm Changes
- Common Chord Progressions, Chord Substitutions & Turnarounds
- Chord Tones, Scale Tones & Non-Diatonic Notes
- Triad Cells
- Chordal Cells
- 3, 4 & 5-Note Scale Cells/Fragments
- Triad, Chordal & Scalar Sequences
- Melodic & Rhythmic Interpretation
- Phrasing & Thematic Development
- Articulations Including Hammer-Ons, Pull-Offs, Slurs & Grace Notes
- Target Notes
- Passing Notes
- Scalar & Chromatic Approach Notes
- Scalar & Chromatic Neighbor Notes
- Telescopes
- Deflections
- Tertial & Non-Tertial Cells
- Superimposition/Chord-On-Chord/Bitonality
- Connecting Changes With Triads, Chord Tones & Scales
- Techniques To Improve Your Improv
- Transposition
- Voice Leading
- Indirect Resolution
- Strong Beat/Weak Beat
- Rhythmic & Octave Displacement
- Sound Production
- Timing
- Dynamics & Vibrato
- Memorizing Lead Sheets/Chord Charts
- A Guide To Chord Symbols
- Ballads, Medium Tempos & Fast Tempos
- Over 40 Transcribed Solos Recorded By John Patitucci, Jaco Pastorius, Miles Davis, Charlie Parker, John Coltrane, Oscar Peterson, Sonny Stitt & Wynton Marsalis In Standard Music Notation & Tablature
- Essential Listening Discography
- Building A Repertoire Of Jazz Standards
- Over 100 Play-Along Tracks

By The Conclusion Of This Course, You Will Have Been Presented With The Tools To:
- Structure Effective Practice Sessions
- Locate All Of The Notes On The Bass
- Play Intervals, Triads, Seventh Chords, Tensions & Scales Across The Entire Range Of The Fingerboard
- Increase Your Technical Mastery Of The Bass
- Expand Your Fretboard Familiarity
- Understand Basic Chord/Scale & Jazz Theory
- Identify Intervals, Triads, Seventh Chords, Tensions & Scales By Ear
- Construct Melodic, Horn-Like Solos Using Chord Tones, Scale Tones & Non-Diatonic Notes
- Integrate Rhythmic Diversity Into Your Solos
- Improvise Solos In The Styles Of John Patitucci, Jaco Pastorius, Jeff Berlin, Michael Manring, Brian Bromberg, Alain Caron, Gary Willis, Ray Brown, Ron Carter & Paul Chambers
- Recognize Chord Symbols & Common Chord Progressions
- Navigate Lead Sheets/Chord Charts
- Transpose A 12-Bar Blues To Every Key
- Solo Over Jazz Standards With Proper Tone & Feel
- Extend Your Performance Endurance
- Interact With Other Musicians On A Deeper Level Through The Language Of Improvisation
- Transcribe Solos


The IIB Bass Courses All 5 courses will be delivered on a single Verbatim UltraLife Gold Archival Grade DVD-R disc in a jewel case.

To purchase all 5 courses on DVD at the Holiday Special rate of $79.95 ($44.80 off the regular $124.95 rate for all 5 courses), simply click the "Enroll Today" graphic below. You will then be taken to PayPal's website to complete the purchase, and you don't need to have a PayPal account in order to pay with a credit card through their website. You may also purchase the bass courses on DVD with a money order, personal check, Western Union, or MoneyGram (please e-mail for further details if using one of these optional payment methods). Shortly after receiving your purchase, you will be contacted via e-mail in order to verify your shipping address. After completing your purchase, you may also e-mail your shipping address to: instituteofbass@yahoo.com. FREE WORLDWIDE SHIPPING!





Testimonials From IIB Bass Course Students


"I'm always looking for ways to make information about music theory more understandable and applicable to my playing. Even though I had a pretty good understanding of modes and their uses for improvisation under my belt, I was immediately struck by the design of Cliff's program because it was very comprehensive and well organized. It really was a pleasure to work through. By including tips on productive practicing, play-along audio tracks, and encouragement to create melodies with each of the modes, my understanding of how to use that material deepened tremendously. Thanks for giving us bassists an effective resource through which to learn new material and further strengthen our command of the instrument!" - Jeff Schmidt, California (Winner of the 2005 Bass Extremes International Solo Bass Competition)

"Your online bass courses are awesome. No method book of any kind can compete with them. I wish I would have known about your web site a long time ago. I found it by mistake, and it was the best mistake I have ever made!" - Jason Cherry, Sight Reading For Bass Student, Texas

"I can't begin to tell you how much I enjoyed your music theory course. You put everything in simple enough terms and break it down into sections that even a novice like me can understand it. Thank you for offering these classes at such an affordable price. It was exactly what I was looking for." - Mike Fortune, Music Theory For Bass Student, Illinois

"Jazz Bass Lines is THE COURSE if you're serious about learning how to build walking bass lines. Don't let the affordable price deceive you. Cliff's course is a step-by-step guide. The material is wisely organized and follows a logical sequence. What you learn is what you apply right away, and it sounds great! Cliff teaches you what to study and most importantly how to study it. He always answers questions in less than 24 hours and there is a fabulous chat session every Monday night so you can share questions, answers, and talk about bass with Cliff and other students. Thanks a lot Cliff for this incredible and life-lasting learning experience!" - Javier Arcos, Jazz Bass Lines Student, Mexico

"I want to say how truly impressed I've been with this course of study. I've taken other online bass instruction but nothing as comprehensive and professionally assembled as this. This provides me with a strong foundation in walking jazz bass lines as I continue my musical journey. I will certainly recommend your course to other lowenders." - Darwin Cadogan, Jazz Bass Lines Student, Virginia

"I think I started lessons with you right before I went to Iraq and resumed when I got back in early 2009 so it's been a few years since my first lesson, and then last year I signed up for your "Jazz Bass Lines" course. I have not stopped practicing or playing but have gone through some other methods and instruction in the meantime. I even took a Skype lesson with Carol Kaye. I wanted to tell you that after being exposed to your lessons and then branching out to study on my own through books by authors such as Sher and Aebersold along with other teachers including some very notable jazz musicians and in some cases spending up to $150 an hour, I have never encountered or learned anything new that was not introduced to me at some point in the lessons I received from you. I think we all develop in our own style and at our own pace, but that doesn't mean there isn't a more expedient and efficient way to go about pursuing that development. Any bass player who is not taking advantage of your instruction and your rates is doing themselves a huge disservice. You can easily rack up hundreds and hundreds of dollars on books and education, and I couldn't find anything that wasn't covered in one of our lessons at some point. I found a handful of books and resources that I'll hold onto, but I sold most of the books I had after going through them because there wasn't anything of use to me in them. I still have all of your materials in sheet protectors in binders with way more exercises than the other books ever covered." - Micah Stott, Jazz Bass Lines Student, Arizona

"Your courses are the most comprehensive I've ever seen. Anyone who truly wants to study bass at a university music school level should look to your certification program. Plus the value is incredible. I'll never be able to thank you enough for the work you've done putting this program together. I have to tell you how absolutely delighted I was with the Sight Reading For Bass course. I really enjoyed the course and learned more each week than I could possibly have imagined. I really think it was way more than a sight reading course. It was a complete and comprehensive music theory course. The course was perfect for me and could not have come at a better time. I was a serious student for about a year but was progressing too slowly. I was taking lessons by Skype with an excellent instructor who is a professional session bassist, and your course material was a perfect compliment. I also have to tell you that your course may be the best value I have ever seen. What I received in the first week was worth more than the $25 you charged me for the whole course, and I truly thank you. Many thanks for putting together such a first-rate, well presented, and content-rich course." - David Galante, Sight Reading For Bass Student, Texas

"Thank you so much for producing this series of courses for bass guitar and acoustic bass. I can't recall which I have worked so hard, learned so much, or had as much fun. I have found your material to be clear, to the point, and of the absolute highest quality. I can only begin to express how much I appreciate your efforts and willingness to make this available." - Peter Lenz, Jazz Bass Lines Student, Michigan

"I just wanted to say thank you for such a great course. It is wonderful. The material and exercises are just awesome and to the point. I have purchased so many books in the past, but your course and the way you explain things is the most comprehensive and practical of all. Thank you very much!" Mario Abad, Jazz Bass Lines Student, Texas

"I just wanted to drop a line and say thanks for what has been an invaluable course. I'm a person who thrives on structure and regimens, and the way you slowly release the course and give practice advice is really great. Not to mention, you respond to e-mails quickly and thoroughly! So, $25 is a steal for your courses. Just within the first couple days of the program, I had already learned the notes on all five strings up to the sixth fret and could identify them within a second. That knowledge combined with my increased knowledge of the intervals presented has allowed me to see music in a whole different way. It's like drawing back a curtain. Wish I had gotten serious sooner! Thanks again Cliff!" - Adam Valls, Music Theory For Bass Student, Texas

"I would like to thank you for all the hard work that goes into these lessons. I've taken the Music Theory For Bass course, and I'm still diligently working on internalizing all the lessons. I also became a subscriber to your website, and the wealth of knowledge just keeps flowing. I've been playing only two years and recently joined a metal and a jazz group. Neither one can believe I've only been playing for two years. They've played with guys with 20 years experience that don't know what I know about music and composition, and I believe it's because of your in-depth lessons. Thanks for your time and keep rocking the bottom end." - Trevor Scott, Music Theory For Bass Student, Montana

"I'm getting a ton out of the sight reading course and am actually feeling like I can read music! Your dedication to your courses is really helping me stay on track. Your lessons are ridiculously inexpensive, and you are doing a great service to bass players everywhere." - Jason Hegel, Sight Reading For Bass Student, Washington