Whether you are a new student who has just discovered the IIB or a former student seeking to review courses taken years ago, you can enroll in all 5 of the IIB's online bass courses for the price of 4 using this special rate package as part of the IIB's ongoing effort to make education accessible to as many bassists as possible.
For a limited time, receive 1 FREE Live Video Lesson For Bass Guitar with the purchase of a Buy 4, Get 1 FREE Package (an additional $24.99 value). This lesson can be scheduled at any point throughout the duration of the program. ... Enroll Today!
Following a step-by-step methodology with instructor Cliff Engel, you will acquire the essential skills and vocabulary which are necessary to connect your ears to the fingerboard, develop ideas, interact with other musicians on a deeper level, and expand the traditional role of the bassist. With these live video bass lessons, you will expand your fretboard familiarity and knowledge of chord/scale theory, improve your sight reading and ear training, and also increase your technical proficiency on the instrument. You will be presented with the fundamental tools that are required to improvise great bass lines and solos on any chord type, chord progression, or song form in any style of music.
These lessons are structured for bassists of all levels from beginner to advanced who are passionate about becoming a more proficient bass player and are seeking an indispensable resource for the contemporary study and analysis of techniques, theory, and principles on bass guitar. Why waste transit time and money while moving to and from private lessons when you can study one-on-one with a live instructor directly from the comfort of your own home? Many people who are current or former students of the IIB online bass courses enroll in live video bass lessons to help compliment and reinforce the concepts introduced in the courses. ... Enroll Today!
The study of scales and their related chords is a fundamental process in the development of musicianship. Your knowledge of scales and chords will allow you to evaluate chord charts and understand which notes you have available to play in the construction of bass lines and solos over specific chord types.
The easiest method of outlining any particular harmonic structure is through the use of chord tones. Beginners often overlook the significance of establishing a broad chordal vocabulary because the utilization of chord tones seems too basic to be effective. As a result of this deficiency, many musicians have a difficult time outlining simple chord progressions. Practically all of the great improvisers throughout history have exploited chordal arpeggiation in their solos, and some of the greatest bass lines ever recorded make use of nothing more than chord tones.
Tertian chords or those chords built in thirds are generated by simply playing every other note of a typical seven-note scale such as the major scale or any of its related modes. The most basic chord form in Western harmony is the triad which is a three-note chord constructed using a root note and two consecutive thirds located the intervals of a third and fifth, respectively, above the root note. With the addition of another note placed the interval of a third above the fifth of a basic triad, a four-note seventh chord is formed consisting of the root, third, fifth, and seventh degrees of a scale.
Seventh chords are identified by the type of triad contained within the chord along with the quality of the seventh above the root note. For example, a major triad plus a major seventh forms a major seventh chord. There are five primary seventh chords including major seventh, minor seventh, dominant seventh, half-diminished seventh, and diminished seventh. We can then build six additional altered versions of the five primary seventh chords to form chords of secondary significance which includes minor-major seventh, dominant seventh with a suspended fourth, major seventh with a raised fifth, major seventh with a lowered fifth, dominant seventh with a raised fifth, and dominant seventh with a lowered fifth.
In terms of real musical application, rarely will an advanced improviser just play ascending or descending arpeggios beginning with the root note of a chord type within the context of a solo. Rather, soloists will manipulate chords using a wide variety of devices. First, phrases are often constructed beginning with a chord tone other than the root note. Second, chordal fragments are generally presented in some kind of inversion. Chord tones may also appear rearranged through octave displacement. Finally, chord tones are often preceded by ornaments such as various approach notes and neighbor tones in an effort to increase the underlying sense of tension and release through the usage of non-diatonic components.
These arpeggiated seventh chord exercises will serve several useful purposes. Since these arpeggios consist of only chord tones, they will be excellent for ear training purposes and will help you to thoroughly internalize the sound of the seventh chords. Each of these exercises feature arpeggios over a one and two-octave span on the fingerboard so they will certainly help expand your fretboard familiarity. Plus, due to their vertical structure, seventh chord arpeggios are outstanding string crossing exercises and great technique builders. ... Subscribe Today & Read More!
"Your courses are the most comprehensive I've ever seen. Anyone who truly wants to study bass at a university music school level should look to your certification program. I also have to tell you that your courses may be the best value I have ever seen. What I received in the first week was worth more than the $25 you charged me for the whole course. Many thanks for putting together such a first-rate, well presented, and content-rich course." ... Read More!